anamorphosis-and-isolate:

"We get to choose who we let into our weird little worlds."

anamorphosis-and-isolate:

"We get to choose who we let into our weird little worlds."

(Source: nearlyvintage)

8 Aug 2014 / Reblogged from riverpheenix with 1,346 notes

(Source: thorinium)

8 Aug 2014 / Reblogged from riverpheenix with 11,252 notes


Spike and Harmony Korine, by Terry Richardson.

Spike and Harmony Korine, by Terry Richardson.

(Source: fuckyeahspikejonze)

8 Aug 2014 / Reblogged from andreii-tarkovsky with 367 notes

(Source: majorhobo)

7 Aug 2014 / Reblogged from andreii-tarkovsky with 11,593 notes

-I can’t tell who’s ahead.
-It can change from moment to moment.
-But is there always a clear winner even if there’s not a knockout?
-Well, sometimes the best fighter isn’t the one who lands the hardest punch. It can be the one who absorbs it.
-You have to be a masochist to enjoy that kind of punishment, don’t you think?


Masters of Sex 2x03

2 Aug 2014 / Reblogged from kimagreggs with 281 notes

2 Aug 2014 / Reblogged from supermodelgif with 3,993 notes

bettydraperlookingpissed:

Really needed this today.

bettydraperlookingpissed:

Really needed this today.

manchannel:

John Slattery [Roger Sterling]

manchannel:

John Slattery [Roger Sterling]

2 Aug 2014 / Reblogged from manchannel with 727 notes

strangewood:

"Film as dream, film as music. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul. A little twitch in our optic nerve, a shock effect: twenty-four illuminated frames a second, darkness in between, the optic nerve incapable of registering darkness. At the editing table, when I run the strip of film through, frame by frame, I still feel that dizzy sense of magic of my childhood: in the darkness of the wardrobe, I slowly wind on one frame after another, see the almost imperceptible changes, wind faster — a movement."

Ingmar Bergman (July 14, 1918 -– July 30, 2007)

2 Aug 2014 / Reblogged from andreii-tarkovsky with 1,523 notes

2 Aug 2014 / Reblogged from thegoodfilms with 56,662 notes

http://brightwalldarkroom.com/post/93217292007/you-are-what-you-do-by-sheila-omalley-when-i

brightwalldarkroom:

image

YOU ARE WHAT YOU DO.

by Sheila O’Malley

"When I first started in pictures, an actor didn’t have the freedom to interrupt the dialogue. But in His Girl Friday, Rosalind Russell and I were constantly interrupting each other. The sound men would say, ‘We can’t hear you.’ And we’d say,…

29 Jul 2014 / Reblogged from brightwalldarkroom with 76 notes

posthawk:

Battle Royale (2000)

27 Jul 2014 / Reblogged from andreii-tarkovsky with 692 notes

rachreilly:

when someone tries to spill the truth tea but you’re not ready to be scalded

image

27 Jul 2014 / Reblogged from waltjrsbreakfast with 30,421 notes


“My ass may be dumb, but I ain’t no dumbass.”
Jackie Brown (1997) dir. Quentin Tarantino

My ass may be dumb, but I ain’t no dumbass.”

Jackie Brown (1997) dir. Quentin Tarantino

(Source: euo)

27 Jul 2014 / Reblogged from waltjrsbreakfast with 1,674 notes